Archive for category: Writing

Step 5 – Recycle but don’t be boring;

Recycle good ideas, that’s how series are born.
A. Figure out why the idea was a good idea?
1. Why did it resonate with you and/or audience.
2. Can you expand on the points that makes the idea resonate with the audience? That’s even better if you didn’t use all those points in the old story.
3. Can you use the good idea in a story that will  resonate with the audience of another genre?
4. Can you mashed up the good idea with something that is going on now, or other not so good ideas?

B. Is the good idea, that you used before, bordering on cliché?
Make the recycled idea the opposite of the cliché (the weak do not inherit the earth, they mine the garbage pit that earth has become, sell the valuable recycled material and leave for another planet).

C. Use the idea in another story, but tell it from the point of view of another character.
1. Tell the story from the villain’s point of view. Explain why the villain made the decisions she did from her point of view.
2. Tell the story form the view point of a character that doesn’t understand the good idea behind the story or what’s going on.

D. Change the hero the idea was destined for to a hero that lacks the critical knowledge needed to over come the idea’s obstacle.
1. Change the critical features of the hero, her; height , weight, skills, luck, abilities, gender.
2. Don’t forget to explain why the hero didn’t know the critical knowledge.

E. Don’t be a hack.
1. Don’t be lazy or predictable, don’t repeat the same idea, plot, story line, over and over.
2. Do incorporate current events with your good but used ideas.

Stay strong, write on.       Professor Hyram Voltage

Round up the Posse

Stop and think for a second. Is an author the best person to ask the “Question” how do you come up with ideas? Back in the bad old days, maybe two years ago, authors that made their living writing books came out with a book once or twice a year. That’s coming up with one or two sets of ideas a year.

If you want to know about coming up with ideas ask a cartoonist that does a daily cartoon or a daily web comic author. They have to come up with a good idea every day. Every day, including Christmas.

So what do cartoonist do?

Scott Adams of Dilbert fame talks about how he was one of, if not the, first cartoonist that put his email address where readers could send him stuff. Did it work. Things would happen in my office at work that couldn’t happen anywhere else and would appear in the Dilbert cartoon within days of happening. And I know the secretary that was sending him the incidents that were occurring in our office.

Johnny Hart of B.C. fame had a group of friend that would get together and kick around ideas. There’s no rule that your posse can’t be your friends.

Sergio Aragones will go set in a park in his home town and people watch. He makes up reasons for why people act the way they do. Or he will imagine the reason why he would act that way. Then he goes home and works till 3:00 AM drawing cartoons.

Rules for a posse;

1. Be upfront, tell them they are not getting paid for their ideas.
2. Tell them that no one can own an idea.
3. Feed your posse, and I don’t mean limit it to intellectual stuff although that does help. Having a good story to tell your posse will get them in the mood to share. It doesn’t have to be a free lunch. Chips and a six pack will do sometimes. Chocolate is always good. Pizza every now and then is great.
4. Dedicate a cartoon, story, book, to a member of your posse (it doesn’t have to mention that they gave you the idea for that story, it could be for all the ideas they came up with in the past). Getting your name in a book is a big deal for some people. Naming a character after one of your posse members can be more hassle than it’s worth (what if the next story requires that character to be killed off).
5. There is no shame in asking for help. There is shame in ignoring those who are trying to help you. Interact with your posse, praise your posse.
6. If worst comes to worst, use the ideas they give you. If they are really bad ideas then take the worst couple or dozen ideas and mash them up.

But I’m really stuck and don’t have time to round up a posse right now, you say.

Then power through with whoever you can find. Years ago I went to an author signing at a mystery book store (long gone and badly missed bookstore). The author that day use to write jokes for Bob Hope (very famous comedian, they named a street after him in Palm Springs). I asked him where he got his ideas. He told me about the time he and the other writers were flying on an airplane with Bob Hope to give a USO show to military personnel. The plane was diverted. Mr. Hope came down the aisle of the plane. While he walked down the aisle he tore up the jokes for the show. He said, “These jokes won’t work for the new location. Write me some new jokes.”

They were on a military airplane. A slow, noisy military airplane. No movies, no in flight music, (no iPods either), no cell phones in those days, no information about the place they were going to. What did the author do? He wrote jokes. They might not have been good jokes but he wrote jokes, he talked to the other writers and rewrote the jokes. Of course Mr. Hope would kick the jokes back wanting better jokes. They did what took weeks before the trip, in a couple of hours, but they wrote jokes.

So put Ghost Riders on the Victrola and round up your posse partner, we got a story to write.

Stay strong, write on.       Professor Hyram Voltage

Step 1. Open up.

It’s not that simple. Time and time again, both as a writer and professional, I have seen ideas brushed away, tossed aside, ignored. Like “Casey at the bat” the ideas presented were just not right. These ideas were lovingly, honestly, presented after a lot of hard thinking.

I do not know if the person rejecting the ideas had an agenda, wanted an idea that was a fully formed story, novel, or even a book series. Weather she wanted the idea to come with a muse attached ready to get down and write her a story, or what. I do know that in a profession setting where we were brain storming ideas that we would get two types; one type wanted things done his way or no way. He would constantly bring up reasons why ideas presented by others would not work, even though it was a ground rule that no one would say anything negative about other inputs or ideas in the session, and management would not let us throw the bum out. The other type was the budding manager that kept pushing off topic ideas, ideas that would get more people working under him which would get him a pay raise, a better parking space, a promotion.

Don’t be one or both of these. Except any and all ideas.

Before you ask for ideas;

a. Determine why you want an idea. Is it for a book, a short story, a series. Are you suffering from writers block. Have you written yourself into a corner and need a way out. Write down the reason you need an idea. Then open up to the fact that you may need several ideas. You need an idea for the story, an idea for the character, an idea for the world, and most importantly you need an idea for the villain.

b. Determine your restrictions on the idea. Figure out the box the idea must fit in. Does the idea have to fit in a happy story? Does the main character have to be female? Does the setting have to be on an island on a water covered planet? Does the villain always have to be a scientist form a desert planet that wants to drain the water from this planet and take it back to his planet?

Write any idea given to you down. When you ask someone or a group for ideas write the ideas down. It shows you value their input. Ask questions about the ideas they put forward. It show you care about the effort they are putting into trying to help you. (Even if the ideas are in right field). Give complements to those who are giving you ideas, even if you think the ideas are useless. Feed those giving you ideas. Cookies can generate ideas. Chocolate and creativity go together.

Go over the list of ideas that people gave you afterwards. Don’t blow any idea off. Make a two column list of the ideas. Draw a line from an idea in column A to an idea in column B. Write a couple of lines about a story that could be developed from the two ideas. Think “Pride Prejudice and Zombies.”

Remember out of the mouths of babes comes wisdom and pablum. You’re going to get some of both on you when looking for ideas.

Turn off your cell phone and look around you. The ideas are out there, they surround you. They may not feel right, but they are there. And the idea that feels the worst may be the best one.

Ideas are priceless, don’t waste them.

Stay strong, write on.             Professor Hyram Voltage

I’ve read a book called 2,000 to 10,000 How to write fast, … . The title of the book refers to the number of words an author can write in an hour. I’m having trouble making 1,000 words an hour.

Now 1,000 words an hour is 17 words a minute. Many typists can type 100 (200 or more) words a minute so it’s not a lot of words. The book makes a point that to get to 10,000 words a hour you need an outline. I have an outline. The outline gets updated often. The outline helps, but I don’t follow the outline like a railroad track, which causes the outline rewrites.

One thing that will slow you down is research. I was writing a scene today where the army was about to break in and the spies did not have the tools to break into a safe to get to the secret plan for concurring the world. So the spies have to steal the safe and run from the army. The safe plays a minor part in the story and gets mentioned many times. Calling the McGuffin a safe, a generic name, is boring. Boring the reader is bad, boring is the death of your book. So it’s time for research. How much does a safe weight (a lot), what type of safes were made in that time period (not a lot). Wiki to the rescue. Hey there’s a company that pioneered the development of safes in England. That’s where my villains happen to be. In the time period of the story. Click on a couple of pictures of old safes and I got some details (color) to add to the book.

Warning there are people out there that will jump all over your case if you mention that the safe was a Diebold. Why because Diebold did not export things until 1887 and those things were mostly bank vault doors and fixtures. Safes are too heavy to transport over seas and the British government would have purchased a safe made by a British manufacturer. No one will ever give me credit for getting it right, but lord will they jump on me if I get it wrong.

I’m getting 3,000 words out a day on a good day (those days are few and far apart). That 3,000 words includes research, spell check (which can take an hour a page, not so much the spelling but ensuring that the word I used is the right word, looking up the definition), a possible rewrite, and going back and checking that what I wrote matches to the part that came before it.

A novel is about 80,000 words. Make that 100,000 for a fantasy/science fiction novel. At 80,000 words, and averaging 2,000 words a day, that’s 40 days. Add a few days for weekends, to go watch a movie, visit friends. Not an impossible goal. Now to keep the extraneous things from interrupting the writing, and if El Nino doesn’t flood the place I may have the book done by years end.

Stay strong, write on.    Professor Hyram Voltage

To squeeze more time out of the week I installed a drip irrigation system to water the garden. It took three days of hard work in the sun. The water feed line and a conduit for the electrical control line were installed in the ground back in the spring.

Lesson one. (It’s a big one) don’t mix parts or supplies from different manufacturers. I read this in a article off the web and it explains many of the problems I had in the past. That did not stop me from buying a Orbit brand hole puncher (it was cheaper) and using it on DIG brand tubing. It did not work. I had to go back to the hardware store and get a DIG brand hole punch.

We ran out of splices for the big tubing. Ran down to get a couple more couplings from the small local hardware store. All they had were made by another manufacturer. My friend stopped me from getting them. They were made by a name brand, but not the DIG brand we had been using. He checked closely and found the diameter of the big tubing the small hardware store coupling were made for was .12 inches different from the DIG tubing I had been using. Don’t mix material from different manufacturers.

Lesson two. Don’t over engineer the project. My friend wanted to run six electrical valves and one hundred feet of white plastic PVC pipe to feed the drip tubing.

The big drip tubing is easier to handle and change than White PVC. I used only one electrical valve and it was plenty. In ten minutes I have water coming out the bottom of the containers.

Lesson three. Be careful punching the hole for the bards (1/4 inch feed lines). Out of 120 drip lines (holes) I had three that leaked where the bards were installed.

Lesson four. The dripper or end of the drip line has to be up against the plant so the water goes to the plant’s roots. The water from the dripper goes straight down not sideways. The plant can dry out with plenty of water going to the container.

Stay strong, write on.               Professor Hyram Voltage